Doodley-squat. That's it… just doodley-squat.
Doodley-squat. That's it… just doodley-squat.
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StrangeLove

the c-word

Sean Cliver

the c-word

Hey, do you still happen to have your official StrangeLove tin foil hat from our "conspiracy" release back in 2019? Good, because you're going to need it this coming weekend. Should you, however, have no idea what I'm referring to, that's probably because you never even knew this company existed prior to February 2020—not that that is a bad thing, of course, because the truth is we barely existed on anyone's radar before that fateful Valentine's Day fiasco. What a shit show that was! Gosh, for a day all about love we sure did bring the rain of hate. Good times.

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what does this even mean?

Sean Cliver

what does this even mean?

Not to be presumptuous, but if at times while reading the various product non-descriptions and all the other various "header card" nonsense, you've thought to yourself, "Wow, this dude sounds like he's on the verge of a mental breakdown," I'd have to say, "Sure, why not," which ultimately brings us to the return of the "Balloon Boy" graphic.

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a brief musical interlude

Sean Cliver

a brief musical interlude

Normally this would have been a ridiculous post supplied by the inimitable Dave Carnie to island hop between our more momentous graphic events, but I'm sure you've noticed the sudden dearth of his absurd words and that he's nowhere to be found. Well, that's not true, I'm just being dramatic and shit because you can now find him writing full-time over at the resurrected editorial board of Creem Magazine. Yes, that Creem Magazine, the one made famous by the infamously critical words of Lester Bangs and the happy-go-lucky li'l "Boy Howdy" character drawn by Robert Crumb. And while I'm sad for us (waah!), I'm stoked for him (yeah!) because his voice deserve a far, far greater reach and audience than our little waste of a cyberspace outhouse.

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historical stitches

Sean Cliver

historical stitches

I'm a sappy man of many mental sentimentalities when it comes to skateboarding, but Ray Barbee will forever be at the forefront of all my warm, fuzzy, maple-laced memories from throughout the years. Ray's big-time video debut moment came in 1988 via Powell-Peralta's fourth video release, Public Domain, whereupon he instantly became one of my favorite skaters [2]. His effortless style and flat ground flair completely altered the way I approached—I mean, heck, who am I kidding… wished I could approach street skating. He just made everything look FUN.

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a strangelove side effect

Sean Cliver

a strangelove side effect

When Side Effect first emerged from the Minnesota scene, I think I saw somewhere where she sells seashells by the seashore. Sorry, couldn't help but lose myself there, because it felt really weird to type "saw somewhere" followed by "where," so I somehow had to shake my grammatical unease. Anyway, back to the point, someone surmised, albeit incorrectly, that I actually had something to do with Side Effect, like it was a part of StrangeLove or something. Maybe because we share many of the same riders? A logical conclusion, no doubt, especially in this incestuous world of skateboarding, but a wrong one nonetheless. It is in fact a company of our brother's from a different mother, Rob Sissi, who also happens to assist in managing the StrangeLove roster of riders, hence the cross-contamination.

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