StrangeLove
i can't breathe
Sean Cliver
'Twas the day after post-election announcement 2019 and I was reflecting on just a smattering of moments that have taken place over the past four years. I couldn't help but feel like Casper in the final scene of Kids (1995), when he woke up the morning after a 24-hour blitzkrieg of big city teen atrocities with the foggy summation, "Jesus Christ… what happened?"
flower wimps valentine shirt release, plus an examination of morrissey's allegedly racist comments masquerading as a review of his most recent album, i am not a dog on a chain, by dave carnie
Sean Cliver
mortified: surreal, by dave carnie
Sean Cliver
As Sean mentioned in a previous post, I had introduced him to the recent popularity of the art of public mortification—a genre loosely called “mortified”: “Witness adults sharing their most embarrassing childhood artifacts (journals, letters, poems, lyrics, plays, home movies, art) with strangers,” it reads on getmortified.com. My high school zine, Surreal, is the first thing that comes to mind when I think of being mortified by the early work of “Lil Baby Davy.” Mostly because this embarrassment was public. I put this thing out there. I aggressively sent it to other skaters all around the world. And it’s fucking horrible.
perusing peru with tony hawk: part 3, by dave carnie
Sean Cliver
the biggest dick in the year of the dick, by dave carnie
Sean Cliver